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#Live mic reverb software how to#
#Live mic reverb software full#

Most ânaturalâ settings use a pre delay between 1ms and 25ms. Obviously if the room is huge, it will take longer for the sound to reach its first wall and bounce back. Pre Delay – This is the amount of time it takes the sound to reach the first reflective surface. Both can but turned off to save on CPU power.īelow is an example of the reverb Dry/Wet turned to 100%, the first sound using lo cut, the other using hi cut. While on the other end, cutting out the lows, will only allow high frequencies to pass through, creating a thinner reverb sound. If the high end of the signal is cut off coming in, you will lose any of the âsparkleâ in the reverb, making for a darker sound. Lo Cut/Hi Cut â These two filters are used to cut off the highs (hi cut) or lows (lot cut). This is where you set the filter cut-off (with the X-Y controller) as well as the pre delay. The start of Ableton’s Reverb signal chain, all audio passes through here first. Watch which settings are turned on and off when you select a preset, some use chorus, some use hi-cut and low-cut. Pay close attention to the names of the presets to get a better understanding of how Ableton’s Reverb generates it’s sound.

In Live’s Device and File Browser, double click the orange symbol with two arrows facing up and down.

Click on the âHot Swapâ button located on the top right of the unit.

Drop Ableton’s Reverb onto a track with an instrument, sample or loop.

Convolution reverbs set out to actually âsampleâ room setting through a complex range of algorithms and impulse responses.īefore diving into Ableton’s Reverb, it’s a good idea to try out some of the presets that come with it. Convolution ReverbĪnother form of digital reverb, but suited to better recreate room sounds. Ableton’s reverb fits into this category. With the advent of digital signal processors, reverb algorithms were created by using a large number of decaying echoes.Įquipped with the right set of tools, digital reverbs can re create many different forms of reverb ranging from the natural to the space age. Sound travels through the spring and creates a “springy” sound. Similar to plate reverb, the sound source is positioned at one end of the spring, while a pick up is positioned at the other. This is the same concept behind spring reverb. Have you ever taken a slinky, put your ear on one end of it, and let the other end drop to the ground? It gives a very metallic space age sound. Sometime later, someone decided to add two pick ups, resulting in a stereo reverb effect.

#Live mic reverb software full#

Plate ReverbĪ speaker is attached to a piece of sheet metal (hence the name plate), and the vibrations from the metal simulate a unique version of reverb.Ī pick up (small microphone) would be attached the sheet metal allowing the engineer to blend the full âwetâ reverb signal, with the dry signal from the speaker (similar to the âDry/Wetâ knob on Ableton’s Reverb). Once the desired form of reverb was achieved, it would be send back into the main mix. They would have a loud speaker playing the track, and it would be moved around the room for different colors of reverb. Usually recording studios would have rooms with reflective surfaces (cement, tile) on the walls and floor. The most primitive and natural form of reverb. Listen for the time it takes for the sound to fully die out. One is treated with 400ms (milliseconds) of decay, and the other has 2 seconds of decay.

I have a dry snare hit from a drum machine. Cathedrals and large rooms have a very long decay time, while a shower or small tiled room would have a very short decay time. When programming Ableton’s Reverb plug-in it helps to visualize some type of environment.

The millions of tiny echoes bouncing back and forth eventually dying out is known as the âdecayâ.Ī visual representation of sound bouncing around a space. When you yell, clap or talk in these rooms, there is a noticeable âtailâ of quick echoes that slowly fade off. Usually it happens in large open areas, or small areas with reflective surfaces (bathrooms, rooms with hardwood floors, etc). In a nutshell, reverberation (or reverb for short), is the continuation of reflected sound after the original has been removed.Įveryone has experienced some form of reverb in their life. Hopefully after reading this, you’ll be grabbing for this sometimes misunderstood plug-in more often in your productions. This tutorial will break down Ableton Live’s Reverb. Ableton’s built in Reverb is capable of some pretty amazing things once you get to know it.

#Live mic reverb software how to#

Some stay away from it because they don’t know how to use it.